The June/July 2020 issue of the ACerS Bulletin—featuring examination of cultural heritage objects with radiography—is now available online. Plus—annual student section and C&GM
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The ability of laminated glass to hold together upon shattering is invaluable in safety and security applications—and art as well. Artist Simon Berger controls cracking in laminated glass to create portraits using the cracks.
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Titanium dioxide is the second most common pigment used in tattoo inks. Yet researchers of two studies warn nano-TiO2 could travel to your lymph nodes—and bring metal particles from the needle along with it.
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“Science for Potters” covers those aspects of science that are useful to potters and that help to give a deeper understanding of ceramic materials and processes. Save 30 percent when you order your copy by Thursday, May 16.
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The Forbes Pigment Collection at Harvard Art Museums has more than 2,500 pigment samples. Learn how scientists and artists use these pigments in painting restoration and authentication, as well as the unusual materials some pigments are made from.
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Students at The University of Texas at El Paso created 3D-printed ceramic sculptures for an art exhibition. The project raised questions among students about if 3D-printed objects are real art.
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A new study shows that early settlers of Easter Island collaborated with each other to build the giant moai statues that are scattered around the island. This disputes earlier theories that the inhabitants competed with each other, leading to their decline.
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Scientists have discovered that glass stones found in Africa in 1996 consist of a mineral matrix and chemical element properties unlike anything in our solar system—leading them to question how our solar system originally formed.
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There’s some interesting science behind Hollywood’s many renditions of fake blood. And ceramics even helped some of the earliest horror film directors achieve the perfect consistency to fake out—and freak out—moviegoers.
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An international group of scientists recently found that the key to the strength of ancient Roman concrete is the presence of aluminous tobermorite, a mineral that slowly forms within voids and prevents cracks from traversing through the concrete.
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